GRAND MASTER LANGUAGE
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HOW TO SUMMARIZE
1. Read your passage
carefully. To ensure understanding read it again. If necessary, read it third
time without writing anything.
2. Write all
important points or facts of original passage in order. It will work as
framework or draft for your summary. Underline important words in the original
passage and quit superfluous words.
3. Keep your facts in
order. It is suggested that put the facts in the same order in which they
appear in the original passage. But it is not obligatory; you may reorder them
in a way which you consider fit, if you think it improves logical sequence.
4. Keeping aside the
original passage and framework or draft in front, begin writing summary from
your notes.
5. Read framework or
draft again. Note if anything is repeated. Adjust its length. Your précis
should be of suggested length. Where there is no suggested length, generally
about one-third (1/3) to one-fourth (1/4) of original passage is expected.
6. Read original
passage again to ensure that no important thing has been left out. Compare it
with your framework or draft.
7. Note that your
précis has the same balance and proportion as original passage has. Otherwise
your précis will not conform to the original passage.
8. Make choice of
words carefully. Avoid unnecessary adjectives and adverbs. Pay proper attention
to important nouns and verbs which make your précis smaller and notable. Shun
use of direct speech in your précis. As a rule, précis is written in indirect
speech. Avoid figurative language; cross out all metaphors and similes.
Redundancy and the use of ambiguous words often make précis vague.
9. Let your précis be
connected fully. All the important points should be interconnecting altogether
in such a way as your précis exerts the impression of a continuous piece of
prose which the original passage does.
10. Supply a title for it. Keep it short and examine opening sentence and concluding sentence and sometimes mid-part of the passage for clue.
A SOLVED EXAMPLE
Original Source Material: Perseverance is the
very hinge of all virtues. On looking over the world, the cause of nine-tenths
of the lamentable failures which occur in men’s undertakings and darken and
degrade so much of their history, lies not in the want of talents, or the will
to use them, but in the vacillating and desultory mode of using them, in
flitting from object to object, in starting away at each little disgust, and
thus applying the force which might conquer any one difficulty to a series of
difficulties so large that no human force can conquer them. The smallest brook
on earth by continuing to run has hollowed out for itself a considerable valley
to flow in. Commend me therefore to the virtue of perseverance. Without it, all
the rest are little better than fairy gold, which glitters in your purse, but
when taken to market, proves to be slate or cinders.
(Carlyle)
Title : Virtue of Perseverance.
Précis : Perseverance is the noblest of all
virtues. People meet with failures in life not because they lack talents but
because they misapply them in conquering a host of difficulties at once rather
than one by one. They are daunted by every little difficulty. Without
perseverance, all the noble qualities of man run to seed.
Thursday
PRECIS-WRITING
Précis means abstract, abridgement or summary. In this way,
précis-writing means summarising. To make a précis of a passage is to select
main points and as far as possible describe them obviously and briefly.
UTILITY OF PRECIS-WRITING
The object of a précis to enable the reader to get
information of main points of a passage without going through it. It plays an
important role in composition because it teaches you how to describe your ideas
clearly, concisely and effectively. Like a mental discipline too, it is useful
because it teaches how to distinguish between essential and superfluous; in
other words, it develops sound judgement and accurate discrimination.
FUNDAMENTAL OF GOOD PRECIS
Often it can be asked what makes a good précis. Perhaps by
counting all essential traits which target purity, you can answer it in the
best way:
1. A
good précis should exhibit main points and exert a general impression. A précis
which exhibits points without general impression of condensed passage is not
much useful.
2. A
good précis should be fit to be read as a continuous piece of prose. It should
not make an impact on the reader of being a series of disjointed sentences.
3. A
good précis should be lucid. It should
be presenting the elements of main passage in a simple language as clear as
possible.
4. A
good précis should be precise and brief. Do away with all irrelevancies, quit
all digressions deviating from the subject, and remove all useless explanations.
Quit all examples, and remove all idioms and adages. As far as possible state
main idea in least words.
5. A
good précis should not be sketchy. It should be complete in all respects. It
should include all what is important in the original.
POINTS TO OBSERVE
The following points are necessary to observe:
1. Sensible shortening: Précis, which is a form of abstract,
abridgement, condensation or epitomization, demands one-third (1/3) of nearby
summary of a passage. Therefore limit your rendering to one-third.
2. Careful discrimination: Learn how to distinguish necessary from unnecessary,
important from unimportant, petty details from the vital facts. Make sure that
passage is understood because if your grasp of the text is insufficient, the
selection of essentials will not be correct and your précis will be weak.
3. Intelligent condensation: Reduce, whenever possible:
(a) Clause to phrase; as:
‘When the sun was setting in all its glory’ to
‘at sunset’
(b) Phrase to single word; as:
‘in the not too distant
future’ to
‘soon’
(c) Clause to single word; as:
‘A friend in whom one could place entire confidence’ to
‘A reliable friend’
(d) Conversation to its gist in indirect form; as:
“I really do understand the problem”, Mona protested, “Surely
you don’t doubt it? I can assure you that I know exactly what the difficulties
are. I am perfectly aware of the complexities of the situation.” to
‘Mona protested that she understand the problem perfectly’
(e) Lists to one generic word; as:
‘The tea-table was piled high with delicious-looking cakes,
brightly-oozing jam tarts, dainty biscuits, sandwiches, and an abundance of
most inviting macaroons.’ to
‘There was plenty of delicious food on the tea-table.’
(f) Direct Speech to Indirect Speech; as:
Direct : He said to
the students, “Do not make a noise”. to
Indirect : He forbade
the students to make a noise.
But it is not always necessary; some passages are well
condensed in direct speech.
4. Clarity and continuity: Make your précis a piece of good, smooth
and straightforward prose, not a rough and disjointed note. Lucidity is as
essential as economy. It is not just quitting words and phrases in précis. If there is deficiency of proportion, unity
and clarity in your version, you have not succeeded in your work.
Wednesday
HOW TO WRITE A CHARACTER SKETCH
A character sketch can be written about any
character in a story or a drama. It gives the reader a brief yet thorough
review of all the characteristics of a particular character. When you write a character sketch, you are trying to introduce someone to
reader. The character sketch ought to give an
extensive account of all the traits that particular character has. The
following are some guidelines for drafting a character sketch:
1. Research about the Character: To make the reader able to visualize how your character
will look, act, talk, and behave, it's crucial to establish their personality
and physical characteristics in great depth. Write down the character's
appearance, personality, feelings, and other aspects first. This will give you
a rough concept of the key characteristics that need to be highlighted. Develop your character's
back-story. Think about your character's overall emotions and feelings. It is important to include proof from the
story to support what you are writing in the character sketch.
2. Use short, clear sentences: The character sketch should help the reader easily form
a visualization of the character when reading the sentences. Write every feature of the character’s personality,
conduct and character in separate paragraph. Use words that help in the visualization of the character. Condense your
character's personality into a few sentences.
3. Make a brief descriptive
picture: The finest character sketches are
specific and feature key characteristics. Pay attention to the character's
physical and non-physical traits. The description needs to be concise,
well-organized, and clear. Create a rough draft to begin with. You should
proofread your character sketch to catch any possible inaccuracies. Determine the character's relationship to the story/drama, world, or main
character. Fill in any other details that pop into your head. Character
sketches only give snapshots of people; therefore, you should not try to write
a history of the person.
Character sketch of Havildar Ishar Singh based on the story “The Battle
of Saragarhi”
He was a great warrior: Although Afgan Pashtun outnumbered, he
fought against the enemy bravely. He along with other 20 Sikh soldiers fought around 8 hours, without
food and water. Even when they ran out of ammunition, they didn’t stop and
ended in a hand-to-hand fight till their last breath.
He was an excellent organiser: He was
known leading the regiment on a last
stand against the 10-12,000 strong Pashtun
tribesmen with only 20 other men at the Battle
of Saragarhi. He called his garrison together for
an emergency meeting when approximately 10,000 Pashtuns attacked Saragarhi. He
convinced his soldiers to fight a hopeless battle.
He is a good decision maker, democratic
and determined: He makes a decision quickly with consultation with his fellows
and stands on unanimous decision even in the face of greatest danger to life.
When the enemy was approaching, he consulted other soldiers whether to fight or
flight. He put the matter to voting. When there was hand-to-hand fight, he
quickly sent all others into the post and decided to face enemy alone outside.
He was a fearless person: To stop the
enemy from reaching the forts, he and other soldiers decide to battle to the
very end. After sustaining enough resistance, he was fighting but refused to
surrender and fought to the death along with the rest. He displayed
extraordinary bravery by instructing his soldiers to retreat into the inner
layer while he continued to battle when there was hand-to-hand combat.
He was dedicated to his duty: He gave his all to the task at hand. According to reports, the Pashtun army commanders promised him
and other soldiers anything in exchange for their surrender. The Pashtuns were
trying to reach the other forts as they advanced, but he was undeterred and
determined to fight until the very end.
He was a true patriot: In a brave hand-to-hand struggle
against an impossibly large group of rifle-wielding tribesmen, Havildar Ishar
Singh pulled his dagger, charged into the mob, and laid his life as a martyr.
He died in battle field in order to save his country from enemy.
Saturday
WRITING SKILL: DRAMA
Drama is the presentation of a story as a play for stage,
broadcasting or telecasting. Drama-writing is an art to write this play. It
develops communication skills. Drama is a composition prose intended to portray
life or character or to tell a story usually involving conflict and emotions
through action and dialogue and it is typically designed for theatrical
performance.
TYPES OF DRAMA
Keeping Dramatist’s standpoint
towards life or internal environment of drama in view, there are kinds of drama:
1. Comedy and 2. Tragedy.
(1) Comedy:
- It has a happiest end.
(2) Tragedy:
- Its end is full of pain.
HOW TO WRITE A DRAMA
There are some specific rules of drama-writing :-
1. Proper selection of the subject: -
There should not be a glimpse of artificiality in the subject of drama. The
subject should be selected only when you have got complete and proper
information concerning it. A drama is based on a story.
2. Planning: - The outline of a drama is
called plot. Four steps should sincerely be followed in its planning: think
about drama, arrange your thoughts, write the ordered thoughts and revise to
edit the text.
3. Plot: - The foundation of a drama is
the plot. It is the interrelationship among main events in the drama. A
successful Play-Wright creates a curiosity in the drama and carry it towards
its object.
4. Proper selection of the Characters: -
A drama has its characters to carry on it. All the characters of the drama
should look real. Drama depends on its characters. No character should be
superfluous, deficient or absurd. Characters have emotions mainly laugh, love,
fear or boldness.
5. Perspicuity: - Examine your thoughts
before writing, as Superfluity and exaggeration often deviate the attention from
main topic. Therefore they should have simplicity, brevity and precision.
6. Dialogues: - The mean of drama is the
conversation. Its dialogues must be to the point, real and according to scene.
The characters make conversation with others as they have some objects. The
words of conversation should be suitable to the personality of the character.
7. Proportion: - There are three parts of
a drama: a beginning, a middle and an end. Stress each part properly after
dividing the drama into acts.
8. Pleasant appearance:- Keeping the
rules of grammar in view, the drama should be written in a good style. Syntax
and choice of words should be made very carefully.
9. Persuasiveness: - The drama should be
able to create attractiveness and exert impression. Audience should be
impressed with the thoughts of the playwright, only then the object of writing
a drama is achieved.
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